It is easy to know from where the fever of the games comes to sing: together to a few people in house, dales a few whiskycolas and more normal will be than, to little that it sounds Alive the life of Coldplay in iPod (that definitively has replaced the apparatuses stere in guateques homemade), until most timid is put to sing that hears sound the bells of Jerusalem. Of there to karaokes for computer and this Lips: Number One Hits that now occupies to us is a step, and Microsoft (just as Sony with its SingStar) has known to see that your fianc2ee, your friendly and I will not make any snub to those products that allow us to desmelenar to us before a screen as liquors are doing damage in our organisms Fridays before leaving celebration.
If Lips supposed the debut of Microsoft in the games of karaoke, Lips: Number One Hits is the reaffirmation of the series and its declaration of intentions: to increase the tax exemption with sequels that contribute variety to the repertoire of the original one. In this case, the songs follow the wake of the original one, providing to us with forty subjects with success of yesterday and today with which to brighten up a friendly meeting or one of those solitary Sundays in which it does not desire to us to do much more that to sing for Tears Fears.
One of the new features of this edition, most notable for the public hardcore (that also it has right to enjoy singing), is perhaps the addition of a system of multiplier of points, with which we will be able to secure many more points as we are nailing different fragments from the songs. This contributes variety to the jugabilidad, that at this point already you will have guessed: in Lips, the main thing is to take the microphone and to sing the best thing than we pruned. In order to add just a little bit of condiment, to this multiplier we can add the interaction to him with the microphone that already was in the first delivery. We will have, for example, to simulate that it is a pandereta when the game demands it to us, or to imitate the movements of our Transformation (to guitarrear, to raise it, etc.) in certain points of the songs.